Josephine Ann Endicott
Information
1973 to 1987 | member of the Tanztheater Wuppertal |
From 1994 | guest dancer of the Tanztheater Wuppertal Pina Bausch |
Biography
Josephine Ann Endicott
was born in Sydney, Australia, in 1950. When she started taking ballet lessons at the age of seven, her father – a pharmaceuticals sales rep – announced drily, “Too dear”. It was Jo Ann’s mother who did her utmost to nurture her daughter’s love of dance, because she herself had grown up with three sisters who were mad about dancing. It didn’t take long for Jo Ann’s teachers to recognise her talent, and she was sent for professional ballet training at the Australian Ballet School in Melbourne. In 1967 she joined Australian Ballet’s corps de ballet, where she met famous ballerinas of the day who were invited to perform with them, including Margot Fonteyn, Carla Fracci and Maya Plisetskaya. She got to work with great choreographers such as Anthony Tudor, Frederick Ashton, Paul Taylor, Leonide Massine and Rudolf Nurejew, who made the greatest impression on her. However, her position in the company was precarious. She did not conform to the contemporary ideal of a ballerina – her face was considered too round, her body too feminine, her personality not suited. Nureyev advised her to go to Europe.
From London to Wuppertal
Endicott went to London in 1972, where Pina Bausch discovered her – more or less by chance – a year later, and immediately signed her up for the new Tanztheater Wuppertal. The young Australian was a perfect fit. Pina Bausch’s newly formed ensemble did not pander to the standardised models of ballet, wanting instead to show people “as they really are” – tall or short, plump or slight. The idea of the ensemble was to gather as many different characters as possible, each of whom should be seen as a unique individual. With her unpretentious personality and direct manner, Jo Ann Endicott fitted right in. And she had the makings of a protagonist. The Australian’s break-through came when Pina Bausch cast her in the leading role of Anna I in the Brecht–Weill double bill The Seven Deadly Sins in 1976. From then on, through the early years of Tanztheater Wuppertal, Endicott became the public face and the best ad for the company. She threw herself unreservedly into every role, whether in Come Dance With Me, Renate wandert aus (Renate emigrates), the Macbeth project, Kontakthof, Arien, Keuschheitslegende (Legend of Chastity) or Walzer. Not only was Pina Bausch’s language of movement practically made for her, Endicott could also act, laugh, shriek, wail, rant, even belch on command. She could portray a dreamy girl as convincingly as a screeching nag, act the playful comedian as well as the haughty lady at a dinner party. Above all, her emotional intensity lent each piece great credibility. Jo Ann Endicott had the ability to give her all on stage. She didn’t pretend to be someone – she became the person she was playing.
Change of scene
In 1987, emotionally drained, she took a break from Tanztheater Wuppertal and did not return until 1994, initially as a guest artist. She had already begun to collaborate with theatre directors – with Hansgünther Heyme in 1979, then with Peter Palitzsch (1991) and Wolf Seesemann (1995) – and she considered this very important for her artistic development. She published two books about her work with Pina Bausch: Ich bin eine anständige Frau (“A respectable woman”) in 1999, and Warten auf Pina (“Waiting for Pina”) in 2009. Back with Tanztheater Wuppertal, she began to work more and more as rehearsal director and on ensuring that the pieces were passed on to the next generation.
Her restagings of Kontakthof. With Ladies and Gentlemen over 65 with Beatrice Libonati (1999/2000) and Kontakthof. With Teenagers over 14 with Bénédicte Billiet (2009/2010) were major successes. From 2007 to 2015 Endicott became a full-time employee of Tanztheater Wuppertal again and was responsible for several international restagings of Pina Bausch pieces, including The Rite of Spring and Orpheus und Eurydike at the Paris Opera. In 2020, she restaged The Rite of Spring with an ensemble of dancers from various African countries, produced in École des Sables, Senegal.
Among other awards for her work, Endicott was conferred with the honour of Chevalier de l’Ordre des Arts et des Lettres in 2008, and Officier de l’Ordre des Arts et des Lettres in 2012. As one of the original members of Pina Bausch’s company, Endicott particularly enjoys the opportunity that each restaging presents to train new, junior colleagues as the assistants and rehearsal directors of the future.
Text by Norbert Servos
Translated by Rachel McNicholl
Gallery
Josephine Ann Endicott in “Walzer” by Pina Bausch at Cour d'honneur du Palais des Papes Avignon, season 1982/83
Photo: Guy Delahaye
Piece creation
Season 1999/2000 | Kontakthof. With Ladies and Gentlemen over 65 Stager |
Season 2008/09 | Kontakthof. With Teenagers over 14 Stager |
Premieres
Piece | Iphigenie auf Tauris |
Date | 21 April 1974 |
Venue | Opernhaus Wuppertal Wuppertal Germany |
Dance | Barbara Passow-Diekamp |
Barry Wilkinson | |
Colleen Finneran-Meessmann | |
Dominique Mercy | |
Ed Kortlandt | |
Hans Pop | |
Hiltrud Blanck | |
Jan Minařík | |
Josephine Ann Endicott | |
Lajos Horvath | |
Malou Airaudo | |
Margaret Huggenberger | |
Marlis Alt | |
Matthias Schmidt | |
Monika Wacker | |
Stephanie Macoun | |
Sue Cooper | |
Vivienne Newport | |
Yolanda Meier | |
Singer | Bozena Kinasz |
Elena Bajew | |
Hartmut Bauer | |
Heikki Siukola | |
Klaus Kettenbach | |
Luigi Lega | |
Choir | Jiri Kubica |
Werner Wilke | |
Stagehand | Paul Aron |
Lighting | Hans-Joachim Deinert |
Make-up | Heinz Dildey |
Sound | Horst Kersten |
Souffleuse | Gertrud Bürkle |
Technical direction | Rolf Bachmann |
Stage manager | Herbert Görsch |
Source of cast | Evening leaflet for “Iphigenie auf Tauris” by Pina Bausch in in Wuppertal, season 1973/74 |
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Piece | Zwei Krawatten |
Date | 31 May 1974 |
Venue | Opernhaus Wuppertal Wuppertal Germany |
Choreografische Assistenz | Carlos Orta |
Hans-Dieter Klos | |
Dance | Carlos Orta |
Charlotte Butler | |
Colleen Finneran-Meessmann | |
Heinz Samm | |
Horst Libell | |
John Giffin | |
Josephine Ann Endicott | |
Monika Sagon | |
Actor | Adalbert Stamborski |
Christian Pätzold | |
Ernst Irrländer | |
Günter Zulla | |
Heiner Stadelmann | |
Heinz Voss | |
Helmut Wiedermann | |
Herbert Temme | |
Inga Abel | |
Malte Horstmann | |
Marianne Molitor | |
Roland Kenda | |
Ursula von Reibnitz | |
Viola Sauer | |
Vita Kowala | |
Vérénice Rudolph | |
Walter Orth | |
Werner Precht | |
Wolfgang Schmidtholstein | |
Musician | Alfred Sallmon |
Bernt Laukamp | |
Bob Huguenin | |
Eddi Kannengießer | |
Freddy Arenz | |
Hans Lippok | |
Heinz Kienitz | |
Klaus Morschel | |
Peter Grützner | |
Theo Kierdorf | |
Walter Schmidt-Binge | |
Wolfgang Maus | |
Special performer | John Giffin |
Stagehand | Helmut Kühne |
Lighting | Hans-Joachim Deinert |
Make-up | Heinz Dildey |
Sound | Horst Kersten |
Souffleuse | Else Hildesheim |
Theaterkorrepetition | Josander Amann |
Assistant | Frank-Bernd Gottschalk |
Hans Pop | |
John Giffin | |
Willi Händler | |
Stage manager | Herbert Görsch |
Source of cast | Evening leaflet for “Zwei Krawatten” by Pina Bausch with Sinfonieorchester Wuppertal in in Wuppertal, May 31, 1974 |
Booklet for “Zwei Krawatten” by Pina Bausch with Sinfonieorchester Wuppertal in in Wuppertal, May 31, 1974 |
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Piece | Adagio – Five Songs by Gustav Mahler |
Date | 8 December 1974 |
Venue | Opernhaus Wuppertal Wuppertal Germany |
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Piece | I'll Do You In… |
Date | 8 December 1974 |
Venue | Opernhaus Wuppertal Wuppertal Germany |
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Piece | The Rite of Spring |
Date | 3 December 1975 |
Venue | Opernhaus Wuppertal Wuppertal Germany |
Dance | Barbara Passow-Diekamp |
Barry Wilkinson | |
Colleen Finneran-Meessmann | |
Ed Kortlandt | |
Erwin Fritsche | |
Esco Edmondson | |
Fernando Cortizo | |
Guy Detot | |
Heinz Samm | |
Hiltrud Blanck | |
Jan Minařík | |
Josephine Ann Endicott | |
Lajos Horvath | |
Laszlo Fenyves | |
Lutz Förster | |
Margaret Huggenberger | |
Marie-Luise Thiele | |
Marlis Alt | |
Michael Diekamp | |
Monika Sagon | |
Monika Wacker | |
Pedro José Mascarello Bisch | |
Stephanie Macoun | |
Sue Cooper | |
Tjitske Broersma | |
Vivienne Newport | |
Yolanda Meier | |
Stagehand | Paul Aron |
Lighting | Hans-Joachim Deinert |
Make-up | Heinz Dildey |
Sound | Horst Kersten |
Ballet master | Hans-Dieter Klos |
Ballettkorrepetition | Werner Precht |
Technical direction | Rolf Bachmann |
Stage manager | Herbert Görsch |
Source of cast | Evening leaflet for “The Rite of Spring”, “Wind From West” and “The Second Spring” by Pina Bausch in in Wuppertal, Dec. 3, 1975 |
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Piece | Wind From West |
Date | 3 December 1975 |
Venue | Opernhaus Wuppertal Wuppertal Germany |
Dance | Barbara Passow-Diekamp |
Barry Wilkinson | |
Colleen Finneran-Meessmann | |
Ed Kortlandt | |
Esco Edmondson | |
Fernando Cortizo | |
Heinz Samm | |
Hiltrud Blanck | |
Jan Minařík | |
Josephine Ann Endicott | |
Lajos Horvath | |
Laszlo Fenyves | |
Margaret Huggenberger | |
Marlis Alt | |
Michael Diekamp | |
Monika Sagon | |
Monika Wacker | |
Pedro José Mascarello Bisch | |
Stephanie Macoun | |
Sue Cooper | |
Tjitske Broersma | |
Vivienne Newport | |
Yolanda Meier | |
Stagehand | Paul Aron |
Lighting | Hans-Joachim Deinert |
Make-up | Heinz Dildey |
Sound | Horst Kersten |
Ballettkorrepetition | Werner Precht |
Technical direction | Rolf Bachmann |
Stage manager | Herbert Görsch |
Tour management | Hans-Dieter Klos |
Source of cast | Evening leaflet for “The Rite of Spring”, “Wind From West” and “The Second Spring” by Pina Bausch in in Wuppertal, Dec. 3, 1975 |
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Piece | The Second Spring |
Date | 3 December 1975 |
Venue | Opernhaus Wuppertal Wuppertal Germany |
Dance | Colleen Finneran-Meessmann |
Jan Minařík | |
Josephine Ann Endicott | |
Marlis Alt | |
Michael Diekamp | |
Vivienne Newport | |
Stagehand | Paul Aron |
Lighting | Hans-Joachim Deinert |
Make-up | Heinz Dildey |
Sound | Horst Kersten |
Ballet master | Hans-Dieter Klos |
Ballettkorrepetition | Werner Precht |
Technical direction | Rolf Bachmann |
Stage manager | Herbert Görsch |
Source of cast | Evening leaflet for “The Rite of Spring”, “Wind From West” and “The Second Spring” by Pina Bausch in in Wuppertal, Dec. 3, 1975 |
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Piece | The Seven Deadly Sins |
Date | 15 June 1976 |
Venue | Opernhaus Wuppertal Wuppertal Germany |
Costume assistant | Ortrud Himmelreich |
Musikassistenz | Lothar Knepper |
Dance | Barbara Passow-Diekamp |
Barry Wilkinson | |
Colleen Finneran-Meessmann | |
Ed Kortlandt | |
Elisabeth Clarke | |
Esco Edmondson | |
Fernando Cortizo | |
Hans Pop | |
Heinz Samm | |
Hiltrud Blanck | |
Jan Minařík | |
Josephine Ann Endicott | |
Lajos Horvath | |
Laszlo Fenyves | |
Margaret Huggenberger | |
Marlis Alt | |
Michael Diekamp | |
Monika Sagon | |
Monika Wacker | |
Pedro José Mascarello Bisch | |
Stephanie Macoun | |
Sue Cooper | |
Tjitske Broersma | |
Vivienne Newport | |
Yolanda Meier | |
Actor | Mechthild Großmann |
Singer | Ann Höling |
Erich Leukert | |
Karin Rasenack | |
Oskar Pürgstaller | |
Siegfried Schmidt | |
Willi Nett | |
Zsolt Ketszery | |
Stagehand | Helmut Kühne |
Lighting | Hans-Joachim Deinert |
Make-up | Heinz Dildey |
Sound | Horst Kersten |
Souffleuse | Else Hildesheim |
Ballettkorrepetition | Werner Precht |
Technical direction | Rolf Bachmann |
Workshop management | Leo Haase |
Stage manager | Herbert Görsch |
Tour management | Hans-Dieter Klos |
Props | Günther Fränzel |
Source of cast | Evening leaflet for “The Seven Deadly Sins” by Pina Bausch with Sinfonieorchester Wuppertal in in Wuppertal, June 15, 1976 |
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Piece | Come Dance With Me |
Date | 26 May 1977 |
Venue | Opernhaus Wuppertal Wuppertal Germany |
Costume assistant | Ortrud Himmelreich |
Dance | Anne Marie Benati |
Arnaldo Alvarez | |
Barbara Passow-Diekamp | |
Colleen Finneran-Meessmann | |
Ed Kortlandt | |
Elisabeth Clarke | |
Esco Edmondson | |
Fernando Cortizo | |
Gisbert Rüschkamp | |
Guy Detot | |
Hans Pop | |
Heinz Samm | |
Hiltrud Blanck | |
Jan Minařík | |
John Giffin | |
Josephine Ann Endicott | |
Luis P. Layag | |
Mari Di Lena | |
Marion Cito | |
Monika Sagon | |
Monika Wacker | |
Tjitske Broersma | |
Vivienne Newport | |
Yolanda Meier | |
Stagehand | Paul Aron |
Lighting | Hans-Joachim Deinert |
Make-up | Heinz Dildey |
Sound | Horst Kersten |
Ballet master | Egbert Strolka |
Ballettkorrepetition | Werner Precht |
Technical direction | Rolf Bachmann |
Workshop management | Leo Haase |
Stage manager | Herbert Görsch |
Props | Günther Fränzel |
Source of cast | Evening leaflet for “Come Dance With Me” by Pina Bausch in in Wuppertal, May 26, 1977 |
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Piece | Renate wandert aus (Renate Emigrates) |
Date | 30 December 1977 |
Venue | Opernhaus Wuppertal Wuppertal Germany |
Costume assistant | Ortrud Himmelreich |
Dance | Anne Marie Benati |
Arnaldo Alvarez | |
Barbara Passow-Diekamp | |
Dana Sapiro | |
Dominique Mercy | |
Ed Kortlandt | |
Erich Leukert | |
Fernando Cortizo | |
Heinz Samm | |
Hiltrud Blanck | |
Héléna Pikon | |
Jacques Patarozzi | |
Jan Minařík | |
John Giffin | |
Josephine Ann Endicott | |
Luis P. Layag | |
Malou Airaudo | |
Mari Di Lena | |
Marion Cito | |
Marlis Alt | |
Monika Sagon | |
Monika Wacker | |
Tjitske Broersma | |
Vivienne Newport | |
Yolanda Meier | |
Stagehand | Paul Aron |
Lighting | Hans-Joachim Deinert |
Make-up | Heinz Dildey |
Sound | Horst Kersten |
Ballet master | Egbert Strolka |
Jean Cébron | |
Ballettkorrepetition | Werner Precht |
Technical direction | Rolf Bachmann |
Workshop management | Leo Haase |
Stage manager | Herbert Görsch |
Props | Günther Fränzel |
Source of cast | Evening leaflet for “Renate wandert aus (Renate Emigrates)” by Pina Bausch in in Wuppertal, Dec. 30, 1977 |
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Piece | He Takes Her by The Hand and Leads Her Into the Castle, The Others Follow |
Date | 22 April 1978 |
Venue | Schauspielhaus Bochum Bochum Germany |
Costume assistant | Alois Bürger |
Magdalene Jacke | |
Dance | Dominique Mercy |
Jan Minařík | |
Josephine Ann Endicott | |
Vivienne Newport | |
Actor | Hans Dieter Knebel |
Mechthild Großmann | |
Rudolph Lauterburg | |
Soňa Červená | |
Vitus Zeplichal | |
Volker Spengler | |
Lighting | Egon Jendrian |
Make-up | Baldo Pazzaglia |
Technical direction | Horst Gehringer |
Stage manager | Gerd Beiderbeck |
Props | Rainer Peters |
Walter Ludwig | |
Source of cast | Booklet for “He Takes Her by The Hand and Leads Her Into the Castle, The Others Follow” by Pina Bausch and “He Takes Her by The Hand and Leads Her Into the Castle, The Others Follow” by Pina Bausch with Tanztheater Wuppertal in in Bochum, 04/22/1978 – 04/23/1978 |
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Piece | Kontakthof |
Date | 9 December 1978 |
Venue | Opernhaus Wuppertal Wuppertal Germany |
Dance | Anne Martin |
Arnaldo Alvarez | |
Arthur Rosenfeld | |
Beatrice Libonati | |
Christian Trouillas | |
Ed Kortlandt | |
Elisabeth Clarke | |
Fernando Cortizo | |
Gary Austin Crocker | |
Heinz Samm | |
Jan Minařík | |
John Giffin | |
Josephine Ann Endicott | |
Luis P. Layag | |
Lutz Förster | |
Mari Di Lena | |
Meryl Tankard | |
Monika Sagon | |
Silvia Kesselheim | |
Vivienne Newport | |
Stagehand | Paul Aron |
Lighting | Hans-Joachim Deinert |
Make-up | Heinz Dildey |
Sound | Horst Kersten |
Klaus Grimm | |
Ballet master | Egbert Strolka |
Jean Cébron | |
Ballettkorrepetition | Werner Precht |
Technical direction | Rolf Bachmann |
Leitung Kostüm | Renate Eichberg |
Workshop management | Leo Haase |
Stage manager | Herbert Görsch |
Props | Günther Fränzel |
Source of cast | Evening leaflet for “Kontakthof” by Pina Bausch in in Wuppertal, Dec. 9, 1978 |
Evening leaflet for “Kontakthof” by Pina Bausch in in Wuppertal, Dec. 9, 1978 |
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Piece | Arien |
Date | 12 May 1979 |
Venue | Opernhaus Wuppertal Wuppertal Germany |
Dance | Anne Marie Benati |
Anne Martin | |
Arnaldo Alvarez | |
Arthur Rosenfeld | |
Beatrice Libonati | |
Christian Trouillas | |
Ed Kortlandt | |
Elisabeth Clarke | |
Fernando Cortizo | |
Gary Austin Crocker | |
Heinz Samm | |
Jan Minařík | |
John Giffin | |
Josephine Ann Endicott | |
Lutz Förster | |
Mari Di Lena | |
Marion Cito | |
Meryl Tankard | |
Monika Sagon | |
Monika Wacker | |
Silvia Kesselheim | |
Vivienne Newport | |
Stagehand | Josef Lindler |
Lighting | Hans-Joachim Deinert |
Make-up | Heinz Dildey |
Sound | Horst Kersten |
Klaus Grimm | |
Ballet master | Egbert Strolka |
Jean Cébron | |
Ballettkorrepetition | Werner Precht |
Technical direction | Rolf Bachmann |
Leitung Kostüm | Renate Eichberg |
Workshop management | Leo Haase |
Stage manager | Herbert Görsch |
Props | Günther Fränzel |
Source of cast | Evening leaflet for “Arien” by Pina Bausch in in Wuppertal, May 12, 1979 |
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Piece | Keuschheitslegende (Legend of Chastity) |
Date | 13 December 1979 |
Venue | Opernhaus Wuppertal Wuppertal Germany |
Dance | Anne Marie Benati |
Anne Martin | |
Arthur Rosenfeld | |
Beatrice Libonati | |
Christian Trouillas | |
Dominique Mercy | |
Ed Kortlandt | |
Heide Tegeder | |
Héléna Pikon | |
Jan Minařík | |
Janusz Subicz | |
Jean Laurent Sasportes | |
Josephine Ann Endicott | |
Lutz Förster | |
Malou Airaudo | |
Meryl Tankard | |
Nazareth Panadero | |
Urs Kaufmann | |
Vivienne Newport | |
Actor | Hans Dieter Knebel |
Mechthild Großmann | |
Musician | Matthias Burkert |
Extra | Frank Herfeld |
Frank Nettesheim | |
Jürgen Koch | |
Klaus Kostka | |
Roman Rohde | |
Ulrich Huppach | |
Werner Simon | |
Wolfgang Weiß | |
Stagehand | Paul Aron |
Lighting | Hans-Joachim Deinert |
Make-up | Heinz Dildey |
Sound | Horst Kersten |
Klaus Grimm | |
Ballet master | Dominique Mercy |
Jean Cébron | |
Technical direction | Rolf Bachmann |
Leitung Kostüm | Renate Eichberg |
Workshop management | Leo Haase |
Assistant | Hans Dieter Knebel |
Stage manager | Herbert Görsch |
Props | Günther Fränzel |
Source of cast | Evening leaflet for “Keuschheitslegende (Legend of Chastity)” by Pina Bausch in in Wuppertal, Dec. 13, 1979 |
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Piece | 1980 – A Piece by Pina Bausch |
Date | 18 May 1980 |
Venue | Schauspielhaus Wuppertal Wuppertal Germany |
Set design assistant | Gerda Raichle |
Dance | Anne Marie Benati |
Anne Martin | |
Arthur Rosenfeld | |
Beatrice Libonati | |
Ed Kortlandt | |
Hans Dieter Knebel | |
Heide Tegeder | |
Isabel Ribas Serra | |
Jan Minařík | |
Janusz Subicz | |
Jean Laurent Sasportes | |
Josephine Ann Endicott | |
Lutz Förster | |
Malou Airaudo | |
Mechthild Großmann | |
Meryl Tankard | |
Nazareth Panadero | |
Vivienne Newport | |
Musician | Arthur Sockel |
Matthias Burkert | |
Special performer | Hans Günter Witt |
Stagehand | Heinz Czyganowski |
Lighting | Siegfried Schuchmann |
Make-up | Heinz Dildey |
Sound | Helmut Schoth |
Ballet master | Dominique Mercy |
Jean Cébron | |
Technical direction | Rolf Bachmann |
Leitung Kostüm | Renate Eichberg |
Workshop management | Leo Haase |
Stage manager | Peter Lütke |
Props | Gerd Klann |
Sportler:in | Max Walther |
Source of cast | Evening leaflet for “1980 – A Piece by Pina Bausch” by Pina Bausch with Tanztheater Wuppertal in in Wuppertal, May 18, 1980 |
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Piece | Walzer |
Date | 17 June 1982 |
Venue | Koninklijk Theater Carré Amsterdam Amsterdam Netherlands |
Costume assistant | Bernd Bremer |
Rosemarie Hess | |
Dance | Anne Marie Benati |
Arthur Rosenfeld | |
Beatrice Libonati | |
Bénédicte Billiet | |
Christian Trouillas | |
Ed Kortlandt | |
Francis Viet | |
Hans Pop | |
Héléna Pikon | |
Jakob Haahr Andersen | |
Jan Minařík | |
Janusz Subicz | |
Jean Laurent Sasportes | |
Josephine Ann Endicott | |
Malou Airaudo | |
Meryl Tankard | |
Monika Sagon | |
Nazareth Panadero | |
Urs Kaufmann | |
Vitus Zeplichal | |
Actor | Mechthild Großmann |
Musician | Matthias Burkert |
Stagehand | Heinz Czyganowski |
Lighting | Hans-Joachim Deinert |
Sound | Hartmut Millard |
Helmut Schoth | |
Ballet master | Dominique Mercy |
Jean Cébron | |
Stage manager | Peter Lütke |
Source of cast | Evening leaflet for “Walzer” by Pina Bausch in in Amsterdam, 06/17/1982 – 06/20/1982 |
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Piece | Auf dem Gebirge hat man ein Geschrei gehört (On the Mountain a Cry Was Heard) |
Date | 13 May 1984 |
Venue | Schauspielhaus Wuppertal Wuppertal Germany |
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Piece | Two Cigarettes in the Dark |
Date | 31 March 1985 |
Venue | Schauspielhaus Wuppertal Wuppertal Germany |
Dance | Bénédicte Billiet |
Dominique Duszynski | |
Dominique Mercy | |
Francis Viet | |
Héléna Pikon | |
Jakob Haahr Andersen | |
Jan Minařík | |
Jean-François Duroure | |
Josephine Ann Endicott | |
Kyomi Ichida | |
Actor | Mechthild Großmann |
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Piece | Ahnen |
Date | 21 March 1987 |
Venue | Schauspielhaus Wuppertal Wuppertal Germany |
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Piece | Bluebeard's Castle |
Date | 25 July 1998 |
Venue | Théâtre de l'Archevêché Aix-en-Provence France |
Dance | Andrey Berezin |
Dominique Mercy | |
Fernando Suels Mendoza | |
Jan Minařík | |
Josephine Ann Endicott | |
Julie Shanahan | |
Marlis Alt | |
Rainer Behr | |
Raphaëlle Delaunay | |
Singer | Laszló Polgár |
Violeta Urmana |
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