Ed Kortlandt
Information
1973 | begin of collaboration with Pina Bausch |
1973 to 1991 | dancer of the Tanztheater Wuppertal |
1994 to 1999 | assistant from Pina Bausch and training director of the Tanztheater Wuppertal |
Biography
Ed Kortlandt
was born in Amersfoort, Netherlands, in 1945. His father was a university professor, his mother a medical doctor. At the tender age of eight, while at holiday camp, he had a pivotal dance experience: he watched the camp leader and his daughter dance a polka. From then on, folk dance dictated how Kortlandt spent his free time. From 1961 to 1969 he also took classical ballet lessons at Mascha ter Weeme’s private school in Amsterdam. And he loved to play the flute.
Torn between medicine and dance
Despite strong artistic leanings, Kortlandt started out following in his mother’s footsteps, studying medicine in his native city, Amsterdam, from 1963 to 1965. However, he soon realised that medical school did not suit him, and dropped out. After completing military service, he studied flute, piano and music theory at the Conservatorium, as well as dance at the Scapino Dance Academy in Amsterdam, from 1967 to 1969. After he graduated, Ineke Sluiter recruited him for her recently founded company, Rotterdams Danscentrum, where he remained from 1969 to 1972. Sluiter, fascinated by Pina Bausch’s early work Im Wind der Zeit, invited Bausch to rehearse the piece with her dancers. This was Kortlandt’s first encounter with the future director of Tanztheater Wuppertal.
To complete his dance education, so to speak, Kortlandt took another dance course in Cologne in 1972, during which he was invited to join the world-famous Martha Graham Dance Company – an opportunity he couldn’t refuse. He spent a year dancing with Graham in New York and teaching at the Alvin Ailey School. Then, in 1973, he received an invitation to join Pina Bausch in Wuppertal, thus becoming one of the original members of her new company. Between 1973 and 1991, he contributed to the creation of twenty pieces and became one of the company’s best-known faces. Pina Bausch cast him in the prominent role of Pylades in her dance opera Iphigenie auf Tauris, and he also performed in a wide variety of pieces including The Rite of Spring, the revue piece I’ll Do You In… or AAdagio – Five Songs by Gustav Mahler. He performed in the highly successful The Seven Deadly Sins as well as the dramatic Bluebeard, in the lighthearted Renate wandert aus (Renate Emigrates) as well as the melancholy Arien. Pina Bausch kept experimenting with different genres until, with the Macbeth-Projekt, she found her ultimate work method – asking questions. Kortlandt accompanied her on this journey, collaborating in the creation of pieces like Kontakthof, Keuschheitslegende (Legend of Chastity), Walzer, Nelken (Carnations), Auf dem Gebirge hat man ein Geschrei gehört (On the Mountain a Cry Was Heard), Viktor, Ahnen, right up to Palermo Palermo.
Change of scene, then back to Wuppertal
Ed Kortlandt left Wuppertal in 1991 to become director of the Rotterdamse Dansacademie (now Codarts University of the Arts). However, since he didn’t succeed in implementing his reform ideas there, he left and went freelance in 1993. He worked as a guest teacher in Amsterdam, Lausanne, Wuppertal, Essen, Berlin, Munich, and as far away as Bogotá. In 1994 he returned to Wuppertal, succeeding Hans Pop as assistant to Pina Bausch. This new position was extremely challenging, demanding constant presence and flexibility. He attended rehearsals, assisted with the administration, accompanied Pina Bausch on tour and to social events. After that, he worked as rehearsal and training director for the company, and helped out with various productions. From 2000 to 2012 he was also training director at Tanztheater Münster, under the direction of Daniel Goldin. From 2002 to 2009 he took part in the re-staging of Kontakthof. With Ladies and Gentlemen over 65, and from 2004 to 2006 he held a lectureship in contemporary dance at the Folkwang Hochschule in Essen. Kortlandt continued to work as training director with Tanztheater Wuppertal until 2018, and was involved in rehearsals. In 2019, he passed on his knowledge of the role of Pylades in a restaging of Iphigenie auf Tauris at the Semper Opera in Dresden.
Text by Norbert Servos
Translated by Rachel McNicholl
Gallery
Ed Kortlandt and Melanie Karen Lien Palm in “Come Dance With Me” by Pina Bausch
Photo: Helmut Drinhaus
Piece creation
Season 1999/2000 | Kontakthof. With Ladies and Gentlemen over 65 Rehearsal |
Premieres
Piece | Fritz |
Date | 5 January 1974 |
Venue | Opernhaus Wuppertal Wuppertal Germany |
Choreografische Assistenz | Hans Pop |
Dance | Carlos Orta |
Catherine Denisot | |
Charlotte Butler | |
Dominique Mercy | |
Ed Kortlandt | |
Gabriel Sala | |
Heinz Samm | |
Jan Minařík | |
John Giffin | |
João Penalva | |
Malou Airaudo | |
Marlis Alt | |
Monika Sagon | |
Monika Wacker | |
Riitta Laurikainen | |
Tjitske Broersma | |
Vivienne Newport | |
Wolf-Werner Wolf | |
Stagehand | Helmut Kühne |
Lighting | Hans-Joachim Deinert |
Make-up | Heinz Dildey |
Sound | Horst Kersten |
Artistic director | Pina Bausch |
Ballet master | Hans-Dieter Klos |
Repetition | Werner Precht |
Technical direction | Rolf Bachmann |
Stage manager | Werner Hartkopf |
Source of cast | Evening leaflet for “Fritz” by Pina Bausch, “Rodeo” by Agnes de Mille and “The green Table” by Kurt Jooss in in Wuppertal, Jan. 5, 1974 |
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Piece | Iphigenie auf Tauris |
Date | 21 April 1974 |
Venue | Opernhaus Wuppertal Wuppertal Germany |
Dance | Barbara Passow-Diekamp |
Barry Wilkinson | |
Colleen Finneran-Meessmann | |
Dominique Mercy | |
Ed Kortlandt | |
Hans Pop | |
Hiltrud Blanck | |
Jan Minařík | |
Josephine Ann Endicott | |
Lajos Horvath | |
Malou Airaudo | |
Margaret Huggenberger | |
Marlis Alt | |
Matthias Schmidt | |
Monika Wacker | |
Stephanie Macoun | |
Sue Cooper | |
Vivienne Newport | |
Yolanda Meier | |
Singer | Bozena Kinasz |
Elena Bajew | |
Hartmut Bauer | |
Heikki Siukola | |
Klaus Kettenbach | |
Luigi Lega | |
Choir | Jiri Kubica |
Werner Wilke | |
Stagehand | Paul Aron |
Lighting | Hans-Joachim Deinert |
Make-up | Heinz Dildey |
Sound | Horst Kersten |
Souffleuse | Gertrud Bürkle |
Technical direction | Rolf Bachmann |
Stage manager | Herbert Görsch |
Source of cast | Evening leaflet for “Iphigenie auf Tauris” by Pina Bausch in in Wuppertal, season 1973/74 |
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Piece | Adagio – Five Songs by Gustav Mahler |
Date | 8 December 1974 |
Venue | Opernhaus Wuppertal Wuppertal Germany |
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Piece | I'll Do You In… |
Date | 8 December 1974 |
Venue | Opernhaus Wuppertal Wuppertal Germany |
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Piece | The Rite of Spring |
Date | 3 December 1975 |
Venue | Opernhaus Wuppertal Wuppertal Germany |
Dance | Barbara Passow-Diekamp |
Barry Wilkinson | |
Colleen Finneran-Meessmann | |
Ed Kortlandt | |
Erwin Fritsche | |
Esco Edmondson | |
Fernando Cortizo | |
Guy Detot | |
Heinz Samm | |
Hiltrud Blanck | |
Jan Minařík | |
Josephine Ann Endicott | |
Lajos Horvath | |
Laszlo Fenyves | |
Lutz Förster | |
Margaret Huggenberger | |
Marie-Luise Thiele | |
Marlis Alt | |
Michael Diekamp | |
Monika Sagon | |
Monika Wacker | |
Pedro José Mascarello Bisch | |
Stephanie Macoun | |
Sue Cooper | |
Tjitske Broersma | |
Vivienne Newport | |
Yolanda Meier | |
Stagehand | Paul Aron |
Lighting | Hans-Joachim Deinert |
Make-up | Heinz Dildey |
Sound | Horst Kersten |
Ballet master | Hans-Dieter Klos |
Ballettkorrepetition | Werner Precht |
Technical direction | Rolf Bachmann |
Stage manager | Herbert Görsch |
Source of cast | Evening leaflet for “The Rite of Spring”, “Wind From West” and “The Second Spring” by Pina Bausch in in Wuppertal, Dec. 3, 1975 |
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Piece | Wind From West |
Date | 3 December 1975 |
Venue | Opernhaus Wuppertal Wuppertal Germany |
Dance | Barbara Passow-Diekamp |
Barry Wilkinson | |
Colleen Finneran-Meessmann | |
Ed Kortlandt | |
Esco Edmondson | |
Fernando Cortizo | |
Heinz Samm | |
Hiltrud Blanck | |
Jan Minařík | |
Josephine Ann Endicott | |
Lajos Horvath | |
Laszlo Fenyves | |
Margaret Huggenberger | |
Marlis Alt | |
Michael Diekamp | |
Monika Sagon | |
Monika Wacker | |
Pedro José Mascarello Bisch | |
Stephanie Macoun | |
Sue Cooper | |
Tjitske Broersma | |
Vivienne Newport | |
Yolanda Meier | |
Stagehand | Paul Aron |
Lighting | Hans-Joachim Deinert |
Make-up | Heinz Dildey |
Sound | Horst Kersten |
Ballettkorrepetition | Werner Precht |
Technical direction | Rolf Bachmann |
Stage manager | Herbert Görsch |
Tour management | Hans-Dieter Klos |
Source of cast | Evening leaflet for “The Rite of Spring”, “Wind From West” and “The Second Spring” by Pina Bausch in in Wuppertal, Dec. 3, 1975 |
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Piece | The Seven Deadly Sins |
Date | 15 June 1976 |
Venue | Opernhaus Wuppertal Wuppertal Germany |
Costume assistant | Ortrud Himmelreich |
Musikassistenz | Lothar Knepper |
Dance | Barbara Passow-Diekamp |
Barry Wilkinson | |
Colleen Finneran-Meessmann | |
Ed Kortlandt | |
Elisabeth Clarke | |
Esco Edmondson | |
Fernando Cortizo | |
Hans Pop | |
Heinz Samm | |
Hiltrud Blanck | |
Jan Minařík | |
Josephine Ann Endicott | |
Lajos Horvath | |
Laszlo Fenyves | |
Margaret Huggenberger | |
Marlis Alt | |
Michael Diekamp | |
Monika Sagon | |
Monika Wacker | |
Pedro José Mascarello Bisch | |
Stephanie Macoun | |
Sue Cooper | |
Tjitske Broersma | |
Vivienne Newport | |
Yolanda Meier | |
Actor | Mechthild Großmann |
Singer | Ann Höling |
Erich Leukert | |
Karin Rasenack | |
Oskar Pürgstaller | |
Siegfried Schmidt | |
Willi Nett | |
Zsolt Ketszery | |
Stagehand | Helmut Kühne |
Lighting | Hans-Joachim Deinert |
Make-up | Heinz Dildey |
Sound | Horst Kersten |
Souffleuse | Else Hildesheim |
Ballettkorrepetition | Werner Precht |
Technical direction | Rolf Bachmann |
Workshop management | Leo Haase |
Stage manager | Herbert Görsch |
Tour management | Hans-Dieter Klos |
Props | Günther Fränzel |
Source of cast | Evening leaflet for “The Seven Deadly Sins” by Pina Bausch with Sinfonieorchester Wuppertal in in Wuppertal, June 15, 1976 |
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Piece | Bluebeard. While Listening to a Tape Recording of Béla Bartók's Opera "Duke Bluebeard's Castle" |
Date | 8 January 1977 |
Venue | Opernhaus Wuppertal Wuppertal Germany |
Costume assistant | Ortrud Himmelreich |
Dance | Anne Marie Benati |
Arnaldo Alvarez | |
Barbara Passow-Diekamp | |
Colleen Finneran-Meessmann | |
Ed Kortlandt | |
Elisabeth Clarke | |
Esco Edmondson | |
Fernando Cortizo | |
Guy Detot | |
Hans Pop | |
Heinz Samm | |
Hiltrud Blanck | |
Jan Minařík | |
John Giffin | |
Luis P. Layag | |
Mari Di Lena | |
Marion Cito | |
Marlis Alt | |
Michael Diekamp | |
Monika Sagon | |
Monika Wacker | |
Tjitske Broersma | |
Vivienne Newport | |
Yolanda Meier | |
Stagehand | Josef Lindler |
Lighting | Hans-Joachim Deinert |
Make-up | Heinz Dildey |
Sound | Horst Kersten |
Ballet master | Egbert Strolka |
Ballettkorrepetition | Werner Precht |
Technical direction | Rolf Bachmann |
Workshop management | Leo Haase |
Stage manager | Herbert Görsch |
Props | Günther Fränzel |
Source of cast | Booklet for “Bluebeard. While Listening to a Tape Recording of Béla Bartók's Opera "Duke Bluebeard's Castle"” by Pina Bausch in in Wuppertal, Jan. 8, 1977 |
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Piece | Come Dance With Me |
Date | 26 May 1977 |
Venue | Opernhaus Wuppertal Wuppertal Germany |
Costume assistant | Ortrud Himmelreich |
Dance | Anne Marie Benati |
Arnaldo Alvarez | |
Barbara Passow-Diekamp | |
Colleen Finneran-Meessmann | |
Ed Kortlandt | |
Elisabeth Clarke | |
Esco Edmondson | |
Fernando Cortizo | |
Gisbert Rüschkamp | |
Guy Detot | |
Hans Pop | |
Heinz Samm | |
Hiltrud Blanck | |
Jan Minařík | |
John Giffin | |
Josephine Ann Endicott | |
Luis P. Layag | |
Mari Di Lena | |
Marion Cito | |
Monika Sagon | |
Monika Wacker | |
Tjitske Broersma | |
Vivienne Newport | |
Yolanda Meier | |
Stagehand | Paul Aron |
Lighting | Hans-Joachim Deinert |
Make-up | Heinz Dildey |
Sound | Horst Kersten |
Ballet master | Egbert Strolka |
Ballettkorrepetition | Werner Precht |
Technical direction | Rolf Bachmann |
Workshop management | Leo Haase |
Stage manager | Herbert Görsch |
Props | Günther Fränzel |
Source of cast | Evening leaflet for “Come Dance With Me” by Pina Bausch in in Wuppertal, May 26, 1977 |
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Piece | Renate wandert aus (Renate Emigrates) |
Date | 30 December 1977 |
Venue | Opernhaus Wuppertal Wuppertal Germany |
Costume assistant | Ortrud Himmelreich |
Dance | Anne Marie Benati |
Arnaldo Alvarez | |
Barbara Passow-Diekamp | |
Dana Sapiro | |
Dominique Mercy | |
Ed Kortlandt | |
Erich Leukert | |
Fernando Cortizo | |
Heinz Samm | |
Hiltrud Blanck | |
Héléna Pikon | |
Jacques Patarozzi | |
Jan Minařík | |
John Giffin | |
Josephine Ann Endicott | |
Luis P. Layag | |
Malou Airaudo | |
Mari Di Lena | |
Marion Cito | |
Marlis Alt | |
Monika Sagon | |
Monika Wacker | |
Tjitske Broersma | |
Vivienne Newport | |
Yolanda Meier | |
Stagehand | Paul Aron |
Lighting | Hans-Joachim Deinert |
Make-up | Heinz Dildey |
Sound | Horst Kersten |
Ballet master | Egbert Strolka |
Jean Cébron | |
Ballettkorrepetition | Werner Precht |
Technical direction | Rolf Bachmann |
Workshop management | Leo Haase |
Stage manager | Herbert Görsch |
Props | Günther Fränzel |
Source of cast | Evening leaflet for “Renate wandert aus (Renate Emigrates)” by Pina Bausch in in Wuppertal, Dec. 30, 1977 |
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Piece | Kontakthof |
Date | 9 December 1978 |
Venue | Opernhaus Wuppertal Wuppertal Germany |
Dance | Anne Martin |
Arnaldo Alvarez | |
Arthur Rosenfeld | |
Beatrice Libonati | |
Christian Trouillas | |
Ed Kortlandt | |
Elisabeth Clarke | |
Fernando Cortizo | |
Gary Austin Crocker | |
Heinz Samm | |
Jan Minařík | |
John Giffin | |
Josephine Ann Endicott | |
Luis P. Layag | |
Lutz Förster | |
Mari Di Lena | |
Meryl Tankard | |
Monika Sagon | |
Silvia Kesselheim | |
Vivienne Newport | |
Stagehand | Paul Aron |
Lighting | Hans-Joachim Deinert |
Make-up | Heinz Dildey |
Sound | Horst Kersten |
Klaus Grimm | |
Ballet master | Egbert Strolka |
Jean Cébron | |
Ballettkorrepetition | Werner Precht |
Technical direction | Rolf Bachmann |
Leitung Kostüm | Renate Eichberg |
Workshop management | Leo Haase |
Stage manager | Herbert Görsch |
Props | Günther Fränzel |
Source of cast | Evening leaflet for “Kontakthof” by Pina Bausch in in Wuppertal, Dec. 9, 1978 |
Evening leaflet for “Kontakthof” by Pina Bausch in in Wuppertal, Dec. 9, 1978 |
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Piece | Arien |
Date | 12 May 1979 |
Venue | Opernhaus Wuppertal Wuppertal Germany |
Dance | Anne Marie Benati |
Anne Martin | |
Arnaldo Alvarez | |
Arthur Rosenfeld | |
Beatrice Libonati | |
Christian Trouillas | |
Ed Kortlandt | |
Elisabeth Clarke | |
Fernando Cortizo | |
Gary Austin Crocker | |
Heinz Samm | |
Jan Minařík | |
John Giffin | |
Josephine Ann Endicott | |
Lutz Förster | |
Mari Di Lena | |
Marion Cito | |
Meryl Tankard | |
Monika Sagon | |
Monika Wacker | |
Silvia Kesselheim | |
Vivienne Newport | |
Stagehand | Josef Lindler |
Lighting | Hans-Joachim Deinert |
Make-up | Heinz Dildey |
Sound | Horst Kersten |
Klaus Grimm | |
Ballet master | Egbert Strolka |
Jean Cébron | |
Ballettkorrepetition | Werner Precht |
Technical direction | Rolf Bachmann |
Leitung Kostüm | Renate Eichberg |
Workshop management | Leo Haase |
Stage manager | Herbert Görsch |
Props | Günther Fränzel |
Source of cast | Evening leaflet for “Arien” by Pina Bausch in in Wuppertal, May 12, 1979 |
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Piece | Keuschheitslegende (Legend of Chastity) |
Date | 13 December 1979 |
Venue | Opernhaus Wuppertal Wuppertal Germany |
Dance | Anne Marie Benati |
Anne Martin | |
Arthur Rosenfeld | |
Beatrice Libonati | |
Christian Trouillas | |
Dominique Mercy | |
Ed Kortlandt | |
Heide Tegeder | |
Héléna Pikon | |
Jan Minařík | |
Janusz Subicz | |
Jean Laurent Sasportes | |
Josephine Ann Endicott | |
Lutz Förster | |
Malou Airaudo | |
Meryl Tankard | |
Nazareth Panadero | |
Urs Kaufmann | |
Vivienne Newport | |
Actor | Hans Dieter Knebel |
Mechthild Großmann | |
Musician | Matthias Burkert |
Extra | Frank Herfeld |
Frank Nettesheim | |
Jürgen Koch | |
Klaus Kostka | |
Roman Rohde | |
Ulrich Huppach | |
Werner Simon | |
Wolfgang Weiß | |
Stagehand | Paul Aron |
Lighting | Hans-Joachim Deinert |
Make-up | Heinz Dildey |
Sound | Horst Kersten |
Klaus Grimm | |
Ballet master | Dominique Mercy |
Jean Cébron | |
Technical direction | Rolf Bachmann |
Leitung Kostüm | Renate Eichberg |
Workshop management | Leo Haase |
Assistant | Hans Dieter Knebel |
Stage manager | Herbert Görsch |
Props | Günther Fränzel |
Source of cast | Evening leaflet for “Keuschheitslegende (Legend of Chastity)” by Pina Bausch in in Wuppertal, Dec. 13, 1979 |
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Piece | 1980 – A Piece by Pina Bausch |
Date | 18 May 1980 |
Venue | Schauspielhaus Wuppertal Wuppertal Germany |
Set design assistant | Gerda Raichle |
Dance | Anne Marie Benati |
Anne Martin | |
Arthur Rosenfeld | |
Beatrice Libonati | |
Ed Kortlandt | |
Hans Dieter Knebel | |
Heide Tegeder | |
Isabel Ribas Serra | |
Jan Minařík | |
Janusz Subicz | |
Jean Laurent Sasportes | |
Josephine Ann Endicott | |
Lutz Förster | |
Malou Airaudo | |
Mechthild Großmann | |
Meryl Tankard | |
Nazareth Panadero | |
Vivienne Newport | |
Musician | Arthur Sockel |
Matthias Burkert | |
Special performer | Hans Günter Witt |
Stagehand | Heinz Czyganowski |
Lighting | Siegfried Schuchmann |
Make-up | Heinz Dildey |
Sound | Helmut Schoth |
Ballet master | Dominique Mercy |
Jean Cébron | |
Technical direction | Rolf Bachmann |
Leitung Kostüm | Renate Eichberg |
Workshop management | Leo Haase |
Stage manager | Peter Lütke |
Props | Gerd Klann |
Sportler:in | Max Walther |
Source of cast | Evening leaflet for “1980 – A Piece by Pina Bausch” by Pina Bausch with Tanztheater Wuppertal in in Wuppertal, May 18, 1980 |
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Piece | Walzer |
Date | 17 June 1982 |
Venue | Koninklijk Theater Carré Amsterdam Amsterdam Netherlands |
Costume assistant | Bernd Bremer |
Rosemarie Hess | |
Dance | Anne Marie Benati |
Arthur Rosenfeld | |
Beatrice Libonati | |
Bénédicte Billiet | |
Christian Trouillas | |
Ed Kortlandt | |
Francis Viet | |
Hans Pop | |
Héléna Pikon | |
Jakob Haahr Andersen | |
Jan Minařík | |
Janusz Subicz | |
Jean Laurent Sasportes | |
Josephine Ann Endicott | |
Malou Airaudo | |
Meryl Tankard | |
Monika Sagon | |
Nazareth Panadero | |
Urs Kaufmann | |
Vitus Zeplichal | |
Actor | Mechthild Großmann |
Musician | Matthias Burkert |
Stagehand | Heinz Czyganowski |
Lighting | Hans-Joachim Deinert |
Sound | Hartmut Millard |
Helmut Schoth | |
Ballet master | Dominique Mercy |
Jean Cébron | |
Stage manager | Peter Lütke |
Source of cast | Evening leaflet for “Walzer” by Pina Bausch in in Amsterdam, 06/17/1982 – 06/20/1982 |
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Piece | Nelken (Carnations) |
Date | 30 December 1982 |
Venue | Opernhaus Wuppertal Wuppertal Germany |
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Piece | Auf dem Gebirge hat man ein Geschrei gehört (On the Mountain a Cry Was Heard) |
Date | 13 May 1984 |
Venue | Schauspielhaus Wuppertal Wuppertal Germany |
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Piece | Viktor |
Date | 14 May 1986 |
Venue | Schauspielhaus Wuppertal Wuppertal Germany |
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Piece | Ahnen |
Date | 21 March 1987 |
Venue | Schauspielhaus Wuppertal Wuppertal Germany |
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Piece | Palermo Palermo |
Date | 17 December 1989 |
Venue | Opernhaus Wuppertal Wuppertal Germany |
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